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Monday, February 18, 2019

DIGITAL DOMPTEUR


DIGITAL DOMPTEUR

Und Datenanalyst bei fraunhofer

If you are Dieter Kosslick a man from a good Germany family you have no choice but to become the director of an international film festival for 18 years. Next year the Berlinale will have a new leader from the Locarno Festival, and a new starting date Feb 20th which is my birthdate. Lets hope that every year the festival will get closer to returning to its summer roots.

The Vaginal Davis doll was in a flirtatious mood at the opening of Forum Expanded AntiKino The Siren’s Echo Chamber at the new silent green kultur quartier’s majestic Betonhalle. Ms. Davis didn’t know that the handsome man who was chatting her up was Benjamin Domenech the producer and co-founder of indie production company Rei Cine who recently partnered with Pedro and Agustin Almodovar’s El Deseo production house as well as Canana founded by Diego Luna and Gael Garcia Bernal. Mr. Domenech thought Ms. Davis was someone else but not before introducing her to his two young companions the easy on the eye French actors Francois Civil and Guillaume Gouix. The installation that the malenfucken hemen were giddy about was Ala Younis’ Drachmas. This year the exhibit will be open until March 9th. Multiple viewings highly encouraged.

Before Berlinale Ms. D along with the great scholar Julianne Rebentisch traveled beyond the valley of the iron curtain to Marzahn’s Orwo Haus to see the return of the band Girls, who haven’t performed since 1971. It was an SRO crowd that included some members of Gob Squad, prima ballerina Trixie Schonherr, British visual artist “Re” Phil Collins, Constantine Berger and a slew of younger degenerates thriving to the multi media musical hodgepodge that is the brilliant Girls cosmos. Girls are resplendid! They are the now sound blending of The Shaggs, Captain Beefheart, Wanda Jackson, Sparks and Cardi B. Lets hope they don’t wait another 45 plus years to come out of hiding.

Say it isn’t so. Ruth Fischer the art band of the CHEAP kollektiv are returning to the stage after a hiatus of over 10 years. CHEAP Palast is the name of the performance that will take place at the Berliner Festspiele March 9th at 10:30pm. Besides olde members of Ruth Fischer Susanne Sachsse, Marcuse Siegelstein, kJohnny Blue and Vaginal Davis this new incarnation will feature Maurice de Martin, Akira Knightly, Senor Senturk, Martin Siemens and Richard Gabriel and will take in the form of Expanded Concert Cinema Installation piece, so Mark your calenderias.

This year at the Berlinale Lady Ms. Davis made a concerted effort to be more social and made an appearance at several shindigs including The Norweigan,Polish Film Soirees, the official Premier party at Quasimodo of the Greek Cinema /Greek Film Center Celebration for Syllas Tzoumerkas’ The Miracle of the Sargasso Sea, A Tale of Three Sisters and When Tomatoes Met Wagner.

The Diva also beelined to the Saltzgeber Reception hosted by hunky Christian Weber of Sissy Magazine where she got down and funky with Wilhelm Hein, pretty Michelle Mangan with The Fringe Festivals PR unit and Outsider Liverpool Lesbian and Gay Film Festival, and the great Berlin lesben icon Mahide Lein and everyones fav Canadian Peaches.

This year Ms. D stuck to seeing Forum and Forum Expanded Films with the only exceptions being the Panorama documentary What She Said: The Art of Pauline Kael by Rob Carver. What She Said is a pretty straight forward talking head doc with lots of great  footage of the famous New
Yorker Magazine film critic.

Stay tuned to this very blogina for the remainder of what Vaginal Davis saw during the ten days of the Berlinale Film Festival.



Wednesday, January 23, 2019

BECOMING MEINE GESCHICHTE


Becoming Meine Geschichte

Theorien der Gegenwartskunst zur Einführung

The end of 2018 right after the Christmas holiday and before Silvester the Vagimule doll was invited to a lovely dinner party at the Wrangel Kiez flat of Ulrich Ziemons of Forum Expanded and his gorgeous ginger haired lady love Anja. The food was exquisite and so was the company that included Azin Feizabadi the art filmmaker and his vivacious girlfriend Neda Saeedi, along with artist Nicolas Cilins and his beautiful young gaysian lover Dustin Duong who is a graduate student/male model from Australia.

She Who Must Be Obeyed received a sweet invite from Lucas Reiner the son of legendary comic film director and writer Carl Reiner who turns 97. Lucas is Reiner’s youngest son who use to be a punker back in the olde days in Los Ang but is now a visual artist. The eldest Reiner son is director/actor Rob Reiner who played Meathead in the TV series All in the Family in the 1970s and directed the hit film When Harry Met Sally.

Lucas Reiner has a new painting exhibition that just opened January 18 to February 23 at Galerie Nordenhake in Berlin. Check it out!

Ms. D was interviewed over the phone by ARTnews Magazine’s Maxim Duron for a panel discussion with Jonathan Weinberg co-curator of Art After Stonewall Exhibition, and the prolific art legends that are Thomas Lanigan-Schmidt and Michela Griffo. The klatch was progressing quite nicely but Ms. Davis had to drop out 30 minutes into it as she had to rehearse for the Original Sin concert installation for the Munchner Kammerspiele.

It was Lady Davis’ first time in Bavaria and she was quite impressed by the food of the city. Our tiny woman of mystery loves to eat.

The Kammerspeile cantina has the best chef in Christendom. Our divina was housed at the Relexa Hotel in a gargantuan suite that featured an amazing comp breakfast.

Ms. Davis didn’t see Mattias Lienthal the Kammerspeile’s attendant who use to run Hebbel am Ufer but got to hang out with Katrin Dodd the beauty of HAU who works with Mattias at Kammerspeile, Christoph Gurk who heads the music program and that philosopher king-queen the ravishing Juliane Rebentisch. Also reconnected with dear Evelyn Rüsseler the artist/filmmaker who gave Ms. D a copy of her latest special edition art book HybridTiere. Evie treated Ms. D to dinner and champagne and enjoyed a joyous reunion with the starina. With Evie was Jelena Kuljić, the hot Serbian jazz singer, from Berlin who is a member of the Kammerspeile ensemble. Looking very handsome was the youthful Ersan Mondtag (stage director and former Vegard Venga/Ida Muhler assistant) Goethe Institute VIP´s, plus Jasmina Tumbas (Yugoslavian scholar supreme) Albrecht Sachsse the brother of CHEAP´s Susanne Sachsse with his two kids and their friends, royal sighting in the form of Prinz Albert von Thurn und Taxis with Jake Hooker the grandson of Judy Garland with the sparkling famous hair colorist to the stars.  Jake`s mother is Judy`s daughter singer/actress Lorna Luft. Also spotted was Anne Schulz, luscious Pola Sieverding with her lovesexy class of super smart art students, Susanne Sachsse´s cousin whose mother was featured in some of the Original Sin super 8 footage from the GDR, Katharina Bischoff the OS production coordinators sister came for the third time and was moved to tears, and Miss Lillian (Richard Gabriel’s pretty gal pal).

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Be sure to mark in your calendaria the return of GIRLS Saturday January 26 8pm at ORWO HAUS in Berlin https:// orwohaus.de/

GIRLS 2019 is the reincarnation of the forgotten female proto-Krautrock showband from upper Bavaria 1967-1971 that includes Stella Mars bass/vocals, Ida van Selbst guitar/vocals, Vally Cloud trombone/trumpet/vocals and Moon de Marzahn.

Check out these two songs by GIRLS

NICHT ANFASSEN

https://www.youtube.com/watch?v=ZnGU5nOPb6k&fbclid=IwAR2roHlhDm6pNFjYBrwRUSVg10MNmco3NqX1pozn8YazkGOJkdN8E09J03A

1 1 1 1 1 1 1 1 1

https://www.youtube.com/watch?v=rnqjsWfGLEM

Tickets available at the door or you can get them in advance here:

https://www.eventbrite.de/e/girls-the-female-source-of-krautrock-1st-concert-since-1971-tickets-54600416315?fbclid=IwAR1pg-9mS3T_zdqqG-D6Sc-QwIL1McQ3NQI7UQnpvHjEHz5f-CylgvcgQjw

How to get to ORWO HAUS:

https://orwohaus.de/kontakt/Marzan drums and vocals.

You can buy your tickets in advance or at the door.

Healthcare Updata:

Vaginal Davis had to wear a blood pressure machine from her cardiologist for 18 hours. The contraption made her look like I a suicide bomber. Thank goodness the weather is so cold now that she was all layered up or a policeman or concerned citizen would have surely reported her to the authorities.

Ms. V. Davis loves listening to NPR Berlin which recently got re-christened KCRW Berlin. The rebranding has brought the station a few more local Berlin items of interest, but the bad side is that after 9pm the station plays that horrible KCRW style music. Ms. D would rather hear more music in the lines of Hot Jazz Saturday Nite then Chris Douridas like faire. The music section goes from 9pm to 6am so it is easy to avoid. Recently the diva was listening to the radio and heard her former LA Weekly colleague Howard Bloom. Bloom now covers the education beat for the LA Times. Ms. Davis adores Bloom and his wry wit that encompasses a little sugar in his tank.

She also heard on the radio an interview with Tyler Brûlé. The Canuck Mr. Brûlé created Wallpaper Magazine and Monocle Media which encompasses retail and publishing. Tyler also heads a design house called Winkreative. Ms. Davis met Tyler back in the late 80s in LA during the heyday of her zine period. Tyler was a young beauty pie then who resembled Montgomery Cliff in his youthful prime with a little Cora Pearl on the side.  If my memory serves me correctly at that time Tyler had an older wealthy billionaire boyfriend.

Also heard on the radio a conversation about the boring Academy Award Oscar presentation.  The Ms. Davis prickly ears got hairy when the name of Morgan Neville was mentioned.  Morgan is the patrician super WASPY and beautiful documentary film director of the Mr. Rogers docu Will You Be My Neighbor that was snubbed at the Oscars this year.  Morgan already won an Oscar for his music doc Twenty Feet From Stardom.  Morgan is married to Nettie Acre of the alt/country folk group The Acres who use to perform regularly at my Club Sucker at the Garage and Bricktops at the Parlourclub as well as Plantinum Oasis.  Morgan at that time went by the name of Morgan Acre.  I only recently found out that he was a filmmaker.  He is extremely handsome and gives out big dick realness but in a humble soft spoken manner.

Lia Gangitano and Viva Ruiz two of the most beloved New York originals come together for a sensational new exhibition, Viva Ruiz ProAbortion Shakira: A Thank God for Abortion Introspective Feb 3-March 10 with reception Sunday Feb 3 7-9pm

Participant Inc

253 E. Houston Street

NYC 10002

www.participantinc.org

If you are in the Tri-state area you owe it to yourself to make it to this very important occurance.

Thursday, December 20, 2018

WIE MAN RICHTIG DELEGIERT

Wie Man Richtig Delegiert

und Ihre Mitarbeiter befördern

Hannukah came early this year and so was the Jewish Muzlim’s yearly soiree one of the highlights of Berlin’s winter society. Lots of singing, laughing and frivolity on hand with glamour girls Fearless Leader of CHEAP Kollektiv Susanne Sachsse, Her Royal Highness Empress Stefanie Schulte Strathaus of the Arsenal Institüt für Film und Videokunst, and everyone’s favourite sexy scholar Nanna Heidenreich. Of course one can’t have a Jewish celebration with only one Jewish Muzlim in attendance so Marcuse Siegelstein aka: Marc Siegel and Noam Gorbat were the resident delici Dreidel spinners. The food was resplendid and likewise the company that included kJohnny Blue and his Gina Lollabridgida doppelganger wife Amelia, Piero Bellomo, and Senol Senturk. Pass the Halla bread please!

The European book launch of Spector Books Film Culture 80: The Legend of Barbara Rubin at silent green Kultur Quartier was majestic. Included was an encore screening of Rubin’s subversive feministiche classic 16mm double penetration projection Christmas on Earth, with live radio score performed by La Susanne Sachsse, and a reading of Rubin’s letters by Ale Bachlechner of Cologne.

Ms. Vaginal Davis got to sit next to the charming Spector Books publisher Anne Konig during the fabu dinner before the event in the Mars boite. Afterwards at the Mars bar there was a sizzling reception with more food and alcoholica galore. Ms. D. was in quite a festive mood and got to meet lots of juicy young people including the sweet and adoreable Ms. Sarai Meyron who did copyediting and proofreading of the Rubin book. One of the books NYC based editors was Charity Coleman who use to be married to Audre Beardsley aka: Andrew Gould the manager of Bricktops at the Parlour Club in Hollywood. Miss Charity Hope Valentine as she was christened at the time was one of the regulars of the performance space and speakeasy known as a Bricktop Voluptuous Panic Girl.

Of course Ms. Lady Davis had to leave Berlin soon after the book launch to return to Geneva to teach at Work Master HEAD. She had some lovely studio visits or as they call them in the French part of Switzerland --Rendevous with Louise Bonpaix, who showed the diva a video document of her drag king performance as The Great Luigi, sex champion and former boyband lead singer now going solo.

No nonsence young artiste Constance Brosse gave Ms. Davis a preview of her new film Un Velo Sol which may be finished by summer 2019. The film promises to be a visual treasure of French feminist bicycle kitchen realness and the reclaiming of the streets by bicyclists ala America’s Critical Mass movement. One of my students who hails from Iran, I won´t post her real name but will give her the nomme de plume of Sativa Colaswara as she could be in grave danger next time she goes home for a visit. She has already been put in prison once because of her controversial art work.

Sativa’s latest project revolves around a lampshade moj. Any western film shown in Iran with a woman, she gets replaced with a lampshade if what she is wearing is deemed inappropriate or risqué. Sativa also introduced Ms. Davis to the Persian feminist poet Frough Farrokhzad and the white hijab movement that is taking hold in Iran.

Of course Ms. Davis always enjoys her conversations with the stylish and glam Juliet Lakhdan, and marvels at the creative mind inherant of Jacopo Belloni and his one man disco affair that he calls Little Tragedy Party. All these students do very beautiful work.

With the rest of her labzone Ms. Davis continued with the work she started last month utilizing the Robert Z. Leonard 1941 MGM film Ziegfeld Girl which is ripe for emulation and deconstruction.

Returning back to Berlin Ms. Davis didn’t have much time to get back in the Contemporary Vinegar Syndrome mode for the big spectacular collaboration with the Gropius Bau and that gorgeous talent that is Wu Tsang.

The audience who came to this edition of CVS was literally transported by the Late Night Fermentation Salon. Wu and Liz Rosenfeld outdid themselves with capable assist from Boychild and a cast of thousands that included intermedia saxophonist Bendik Giske and his cute partner plus the lovely Clare Molloy Gropius Bau curatorial fellow. The ambiance, lighting, flowers, food, drink and magic that permeated the Gropius Bau restaurant kept everyone in an utter flutter.

Earlier the screening of the two White Christmas movies, Harun Farochi’s bombastic 1968 anti Vietnam War short and the highly militaryized schmaltzy musical from 1954 directed by Michael Curtiz may have baffled the audience.  I wasn't so affective in explaining why I decided to screen the two films about war and the commercial laded danger capitalism consumerist holiday.  I wanted to point out that war and its kissing cousin arms sales are what prop up these global economies that turn most of the world into not only indentured servants but all in out slaves.  I am really not a fan of White Christmas star the hambone singer and actor Bing Crosby.  From the LA punk scene I knew Crosby's troubled gay grandson Dennis Crosby and granddaughter Denise Crosby who went to Hollywood High School with my friends Alicia Plake and Wagner Vieira and was one of the stars of the first Star Trek TV franchise The Next Generation playing the character Tasha Yar.

Ganymead comic actor Danny Kaye I find almost as irritating as Mickey Rooney with his constant mugging.  Donald O'Conner the original choice for this role in White Christmas would have been much better and he is actually a great dancer.  In 1953 he was paired with Vera-Ellen in the Ethel Merman starrer Call Me Madam which also featured an Irving Berlin score.  Also one of my main reasons for showing White Christmas is the illustrious Rosemary Clooney, a most excellent jazz stylist and the tiny waisted Vera-Ellen who I don't believe was anorexic which is the popular modern gossip about the dancer/actress who died relatively young in the early 1980s.
The cast of celebutants in attendance was mindboggling including Arsenal Institüt für Film und Video Kunst Empress Stefanie Schulte Strathaus, who gave the evening a very nice and informative introduction along with Stephanie Rosenthal the vivaciously spirited new Director of Gropius Bau.  Arsenal and Gropius Bau use to collaborate together frequently over 30 years ago and perhaps now they will continue in that vein.  So wonderous seeing in the audience Nanna Heidenreich, Uli Ziemons, Richard Gabriel with Miss Lillian, Bruce Budding and sizzling bootypie New Yorker Magazine scribe and The Voice contestant Ben Taub, the glorious Isabell Ertl the queen of the communications department at the Gropius Bau, humpy photographer and videomaker Matt Lambert and his big foot husband Jannis Birsner, Jane Fonda's grandson Malcolm Vadim, Bo Burnham the former You Tube sensation and director of the indie hit film 8th Grade, the sleek and sultry artist Paula Sieverding, visionary cineaste/genius Shu Lea Cheang who has been invited to the 2019 Venice Biennale to create a video installation, choreographer and dancer formerly with Sasha Waltz Company Laurie Young, The amazing Golden Brown Girls stars of the dynamic web series of the same name--Shannon Lewis, Indrani Ashe and Sara Umar, Transhuman musician Born in Flamez aka: James with her galpal Lisanne a neuroscientist whose research is beyond, Peter Cant, Theatre Director and performance maker, Kirsten Weiss Gallerist of Weiss Berlin, Elena Montini Project Manager at Gropius Bau, Sabine Holburg Gropius Bau original gangster who has been working at the museum since 1981!, Mac Folkes, fashionista, Olivia Hyunsin Kim the internationally beloved choreographer, photog Josephine from Halle and Iris Dankemeyer, philosopher at Burg Biebichenstein Art School in Halle, film editor Ruth Schönegge with legendary musician Maurice de Martin, Fine Freiberg aka: Elke Echo the musician and East German Dia projector specialist who works in the Kunst in Context Tech Lab at Udk who is about to launch a new music project, our favorite artist Angela Anderson on a break from her Austrian residency with DJane Olga Damnitz, Susanne Sachsse, Marcuse Siegelstein of CHEAP Kollektiv, Piero Bellomo with Roman macho Mario, Shiaz Legz Berlin Drag Artiste, performance schtars Josephine Brinkmann and Richard Hancock, Rodrigo Garcia Alves the Brazilian performance artist/choreographer, Pedra Costa the Brazilian performance artist and anthropologist, Simone Paetau the German/Columbian artist and filmmaker, Neda Sanai Iranian/Swedish artist of hybrid mediums, Aisha Butt, Sara Mathiasson the Berlin Braider, serene performance studies scholar Hypatia Vourloumis of Athens, and her handsome landscape photographer partner Yiannis Hadjiaslanis, Vinita Gatne, Dramaturg Joshua Wicke, fashion designer Nhu Dhuong, Vice Magazine writer Nina Byttebier, Music artist Pan Daijing, American Footballer Josh Johnson, fashion darling Andra Dumitrascu, skateboarder Andrew Cannon, Film artist Ivalo Frank, Korean/Danish music producer and DJ Tobias Lee, Dan DeNorch of the Berlin based Janus night club and record label, Marc Adelman visual artist living in San Francisco of the famed Faygeleh series with Hollywood male ingenue Lukas Hedges. The virile, young Mr. Adelman use to live in Berlin and regularly attended Rising Stars, Falling Stars, Torben Hanhart, kuratorische volantär extroidinär and curatorial fellow for the upcoming Garden exhibition in summer 2019.

Also seen looking stylishly engaging: Josephine Brinkmann, Christina Demetriou, Mads Dinesen, Eirini Fountedaki, Berin Golonu who use to be a curator at San Francisco’s Yerba Buena Museum and Art Center who brought Ms. Davis to the Bay Area in 2008 for The Way That We Rhyme exhibition.  The sultry Ms. Golonu went back to school for her Phd working with the divine Douglas Criimp and now teaches at the University of Rochester. Berin came to Berlin on holiday with handsome artist beau Richard Barlow known for his chalk interventions at museums and galleries.

Other notables included James Grabsch, Merle Groneweg of the Xposed Queer Film Festival, costume designer Leila Hekmat, Frank Hiller, Susanne Huber, Kristina Keinemann,
Cultural producer and curator Leon Kruijswijk, Ricardo Matos, Cristina Gomez Barrio and Wolfgang Mayer of discoteca flaming star, costume design student Michelle Bondulich, Anna Mohrdiek, Jan Muehlig, Marietta L. von Piekenbrock, E. Rutishauser, Petra Elisabeth Sailer, Aline Schwibbe, artist composer and choreographer Colin Self, Constance Tenvik, Anne Tilkorn, Maurice Van de Mosselaar, Emma Williams the South African architect, Willem de Roij, artist and professor at Frankfurt's Steadeschule, Sebastian Kaiser dramaturgy with Vegard Venge, Oliver Hardt the documentary filmmaker,  Rachel O’Reilly the Australian fracking expert, writer and current phd student in research architecture program at Goldsmith, luscious artist Lydia Hamann, prima ballerina Trixie Schönherr aka Beatrice Cordua, Ms. Davis’ partner in grime Daniel Hendrickson the Jewish Muzlim and Michaela Wünsch of bbooks publishing kollektiv where the next Contemporary Vinegar Syndrome will be held in Spring 2019.

Monday, November 26, 2018

DIE SCHLÄGEREI


Die Schlägerei

Was Für Süperbe Jungens hier

Congragulations are in order to art photographer Annette Frick who won the Ellen-Auerbach Stipendium für internationale Fotografie in 2018. Annette`s photographic chronicling of the Berlin underground scene and gentrifications affects on the cityscape are being lauded and recognized. The award ceremony took place at the Akademie Der Künste. I predicted years ago that Annette would be receiving lots of awards and acknowledgements and my predictions have all come to fruition.

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This missive from Marcuse Siegelstein the town cryer of Kollektiv CHEAP:

Dear CHEAP Friends

I've got a lot of information to share with you but I don't have the time to provide bitter or entertaining tidbits to help you get through this mess of stuff you'd probably rather ignore. Sorry! We're just too busy for me to sprinkle in some juicy gossip to brighten up your day. So bear with me as I list some important CHEAP information. Hope to see you soon!

warmly

Marc

1. We'd like to thank you for your support. Felix Kubin's Radio play "Die Maschine steht still" starring Susanne Sachsse won the ARD Audience Award! You can still listen to the lovely piece here (also enjoyable for those who don't know a word of German): https://www.ndr.de/ndrkultur/sendungen/hoerspiel/Hoerspiel-Die-Maschine-steht-still,sendung782380.html

2. Susanne Sachsse is performing in Ligia Lewis' dance piece Water Will (In Melody), 29. Nov - 2. Dezember 2018, HAU (Premiere is already sold out)

https://www.hebbel-am-ufer.de/programm/spielplan/ligia-lewis-water-will/

Water Will (In Melody) will also be at the Tanzhaus NRW in Düsseldorf from 6.-8. Dez: https://tanzhaus-nrw.de/main_pages/ligia-lewis--3

3. at 7pm on Dec. 9 in silent green there will be a book presentation of Film Culture 80: The Legend of Barbara Rubin with a screening of the fantastic expanded cinema film Christmas on Earth (Barbara Rubin, 1963-65) + Live Radio accompaniment from Susanne Sachsse. Reading by Ale Bachlechner. Presentation by Christian Hiller, Anne König & Marc Siegel. FREE event!

https://www.silent-green.net/en/programme/singleview/cal/event/detail/2018/12/09/film-culture-80-the-legend-of-barbara-rubin/

4. at 6pm on Dec 16 Vaginal Davis and Daniel Hendrickson present the latest installment of their series Contemporary Vinegar Syndrome in collaboration with the Late Night Fermentation Salon by Wu Tsang and Liz Rosenfeld in the Martin Gropius Bau. They will show White Christmas twice: once by Harun Farocki and the second time by Michael Curtiz.

https://www.arsenal-berlin.de/kino-arsenal/programm/einzelansicht/article/7561/3006.html

5. CHEAP congratulates Natascha Süder Happelmann and her speaker Helene Duldung! Natascha is representing Germany in the German Pavillon at the Art Biennale in Venice 2019. Check out the press conference and another great video at: http://www.deutscher-pavillon.org/

6. Munich Friends: CHEAP presents Susanne Sachsse and Xiu Xiu: Original Sin. A Concert at the Münchner Kammerspiele, 16 & 17 Januar 2019.

7. on Januay 26 2019 in the ORWOhaus on Frank-Zappa-Strasse 19, 12681 Berlin (Exact time to be announced) you have the rare opportunity of experiencing the first public performance of GIRLS, the new band with Susanne Sachsse as vocalist, bassist and lyricist. not to be missed! For more information: http://www.mauricedemartin.de/Projects/Eintrage/2017/12/18_The_Girls.html

8. Get ready for the return of CHEAPs Pop Punque Concept Band RUTH FISCHER! Details coming soon.

9. Get ready for the Berlin return of Original Sin. A Concert von Susanne Sachsse und Xiu Xiu in a new performance-installation version! Coming in June 2019. Details coming soon!

10. Don't forget to tune in to CHEAP Funk every now and then. CHEAP Funk is our regular radio show at reboot.fm: http://reboot.fm/category/magazin-talk/cheap-funk/

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The cute but a little goofy LA wrapper known as Tyler the Creator contacted the Vagimule Davis doll recently and wants her to sing or wrap on his new recording.  The enchantress was a bit vague with him as to whether or not she would participate so he is coming to Berlin and is going to wine and dine her to get a positive answer from the diva.  If he has a big penis he also needs to fornicate with her.  We shall see what comes of it as Ms. D is in Geneva a lot teaching at the art school there.


Saturday, November 17, 2018

HIER PASSIEREN SCHLIMME DINGE


Hier Passieren Schlimme Dinge

Nur Einer Weiß, Warum

At Work Master HEAD in Geneva the Vagimule doll did studio visits with her wonderous students. They all seem to be working in ways that are invigorating and quite novel in both form and content. I seem to be learning as much from them as what I get to impart.

During our labzone the spectre of Metro Goldwyn Mayer loomed large as they watched a section of Ziegfeld Girl 1941, directed by Norman Z. Leonard. I´ve been using this film for many years with teaching workshops and seminars and each time the young artist take to it differently. In working on the "You Stepped Out of Dream" exercise the costuming of Adrian was nicely deconstructed by the young artists. Having them flank down the grand staircases of the Art Department Compound was majestic as Tony Martin´s vocals blasted throughout the foyer engaging everyone in the building whether they wanted to be a part of the proceedings or not. Later the students joined me at the Biennale de Image en Mouvement Centre dàrt Contemporain Geneve where the Grütli Theatre presented Ligia Lewis´movement piece Water Will (in Melody)/Preview. 

SRO audience for the premiere performance, was happy that the festival director had some extra tickets on hand that he dispursed to my students for free who are all on fixed incomes. Switzerland is a notoriously expensive money pit.

Water Will uses melodrama as a fitting departure point and the expressive and dazzling performers that include Ms. Lewis, Fearless Leader of CHEAP kollektiv Susanne Sachsse, Titilayo Adebayo and Dani Brown are spellbinding to behold. The soundscapes of Madrigal singing and other textural soundclips aligned with the gorgeous costuming of sowrong studio, light, sound and effect design of S. McKenna, Jassem Hindi, Ariel Efraim Ashbel and Catalina Fernandez are exemplarary. Can´t wait to see it again when it comes to Berlin in late November.
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One of the nutty things I notice when in Berlin is the predilection of oompa pa entertainment surrounding horses. There are these unusual Equus pageants that give off a creepy vibe of beastiality. One advert I noticed on the way to the aeroport was called Cavaluna – A Passion For Horses, which features a photo of a young woman and horse looking like a bride and groom.
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The enigmatic and serenely beautiful transgressive gallerist Lia Gangitano of Participant Inc. Gallery the only not-for-profit gallery space in the boutique city of New York needs your help. Participant Inc is the only place of its kind that stands completely behind outsider art. If Participant vanishes New Yorks´s culture “capita” will sink along with it.

So its once again an imperative that we all must give Participant $moula to help keep them afloat for another season. You would think with the all the super wealthy types in Manhattan someone would just kick in a few filthy millions to make sure that Participant can continue doing the work that no one else does. Of course the super rich aren´t very generous these days though giving some lucre is like pocket change to most of these gazillionaires. So please support Participant Inc. and Miss Lia´s latest fundraiser Breaking Waves, a benefit exhibition and Paddle 8 Auction. Or simply just go to http://paypal.me/PARTICIPANT INC. and give give give. Remember one day coming very soon your money will be worthless and will be used as wallpaper and you´ll be running for your life up steep hills as mobs of the poor and hungry come chasing after you with tin cans like Cousin Sebastian in the finale of Tennessee Williams Suddenly Last Summer.





Wednesday, October 31, 2018

ALPES MARITIMES


Alpes Maritimes

Manöver

“I am gutted!” as Ron Athey would say in hearing of the death of the incredible black feminist writer Ntozoke Shange at age 70. She was an author, poet and playwright. She was best known for the Obie award winning play for colored girls who have considered suicide / when the rainbow is enuf.

Ms. Shange also wrote the novels Sassafrass, Cypress & Indigo (1982) and Betsey Brown (1885)

Her sister Ifa Bayeza is also a well known writer.

I first saw a production of for colored girls in the 1970s and it literally was one of the major influences to my forming the performance group The Afro Sisters in 1978.

I always wished I had seen a production of Shange’s adaptation of Brecht’s Mother Courage.

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There are more women in the world then men. Women have the power when they unite to devastate politically, socially and culturally. So with the American mid terms coming up its up to us to make some radical changes. It would be the first step in eradicating patriarchy in a series of tumultuous fell swoops. Take your passion and make it happen!!!!

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The Vagimule doll has had some health tissues of late, and she is trying to get a handle on them with appointments with a stomach specialist, a cardiologist and other medical practitioners. The Vagiliac woman has also stopped eating bread, pasta, rice and potatoes. More updates as things progress. Wish her pluck.

My heavenly father figure the love god Ron Athey Jr. will be engaged with the world premiere of his new performance piece Acephalous Monster in New York City

· November 14-17 | 7pm

A Post-show talk on Friday, November 16th is with the great writer and performance art chronicler Cynthia Carr.

Best known for his boundary-pushing body mutilations, Ron Athey has been pursuing the transcendent and sublime for more than three decades. After the Death of God (famously proclaimed by the philosopher Nietzsche who anticipated the end of religion in Western society), Athey considers it one of the artist’s roles to invent new forms of ritual and celebration, to conjure the sacred as an antidote to the empty individualism of contemporary life. For his new work, Acephalous Monster, Athey turns to the Acéphale, the figure of the headless man, which inspired George Bataille’s secret society of the same name to combat nihilism and fascism before the Second World War in France. The headless or beheaded man is a powerful symbol of radical transformation, the driving force of all of Athey’s performances pushing towards the merging of humans and gods.

Don´t delay in getting tickets or they will be sold out. Athey´s performances are always SRO.

Performance Space New York

150 First Ave, New York, NY 10009

Sunday, October 28, 2018

EINE EFFIZIENTE STADT


Eine Effiziente Stadt

Nimm mich mit!

Shrouded in secrecy the Vagimule Doll was invited to a press conference in the morning hours at the Zeughauskino on Unter der Linden.

There is nothing the doll loves more then a mystery, so she was well in her element. Upon entering the auditorium there was no clues as to what would be taking place. Then suddenly without warning or gumption four women entered the hall. One of the women seemed to be suffering from elephantiasis as her head seemed rather large and boulderish like the Rock of Gibralter. Were my eyes playing tricks on me? Was this beguiling woman missing a face?

Everything became apparent immediately as one of the women, Franciska Zolyom the art critic and curator announced with great flourish the Artistic Position for the German Pavilion 2019 of La Biennale di Venezia as being none other then Natascha Süder Happelmann.

Ms. Happelmann indeed does not possess a functioning mouth so her artist speaker Helene Duldung gave a well prepared and succinct statement for her.

The ravishing Ms. Duldung spoke in a manner that was very comforting like Ulrike Meinhoff. It didn’t seem like anyone in the room had ever heard of Natascha Süder Happelmann, or maybe it was just me. Gazing upon her visage she seems quite intriguing, and one might venture to say that this clearly celebrated entity will bring something to the famed art event that has never been fully realized before.

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Ted Cruz has rank ears.
As the mid term elections approach In the US of A I want to urge all my fellow Americans and expats to vote Democratic like your life depends upon it and it just may. The Democratic Party needs to take back the Senate and the House. If this doesn’t occur things will be more dire in the world then they already are.

In September when I was back in Los Angeles visiting with relatives I was shocked to hear some of them talking political nonsence, and since I am the only one in my family gainfully employed and they depend on my largesse I made it quite clear that I would not be supporting anyone financially anymore who doesn´t make the correct decisions at the ballot box. As Judge Judy would say, “Dumb is Forever” but not with my $moula in the hands of said X-offender.

My cousin Condoleezza Rice was in town staying at the Adlon Hotel along with Tony Blair, Henry Kissinger and other international big wigs. She emailed asking me to tea, but I shined her.

Went with Jewish Muslim Daniel Hendrickson to the opening of the Arsenal’s latest film series Family Affairs – Cinematic Relationships Between Georgia and the Arsenal. Buy the book of the same title its fantastic.

The film being screened was Natwris che directed by Tengis Abuladze from 1977. The Arsenal has the biggest collection of Georgian films outside of Georgia and Moscow. The movie featured a beautiful young woman who is in love with a poor peasant boy with a really sexy flat stomach and freckles. Her mother has pimped her out to a rich boy who is a very hunky macho young man with rousing big dicque arrogance. The kid with freckles was cute, but not as desireable as the pretty girls betrothed. If she had just given it a little time I think the girl would have been quite satisfied with the more dazzling slightly older young man. But alas she is caught by her mother-in-law with the younger hottie and gets paraded backwards on a donkey through town as an adulterer and left in the mud to die.

Very strange that the towns misfits, an anarchist, a nationalist, a soothe sayer and a bawdy buxom good time Sally are the only ones who try to come to the poor disgraced girls rescue.

Jewish Muzlim Daniel has spent a lot of time in Georgia and Armenia and has become well versed in the cultures, food and fabulous wine industries. If Georgia has men in their country that look like the two main young leads in Natwris che sign me up for an indefinite stay.

The other evening I was transferring from the U7 ubahn line at Yorkstrasse when on the end of the platform toward the escalator was this black busker dude with sunglasses, cornrow beaded braids and a giant keyboard. This man is American and looks a little bit like a cross between Sly Stone, Brandy the R&B singer and star of the 90s TV sitcom Moeshe, and late in life Sun Ra. I hadn’t seen him at this station in ages. It was quite late for buskering as it was close to midnight. Every time I have seen this poor man he seems a bit more unhinged. I have witnessed him in the past having explosive tantrums as people have walked passed him without dropping some coins in his keyboard case.

Berlin use to be a city where the low cost of living made it much easier to get by on very little. Of course with gentrification rearing its fugly head those days are over, and you see more and more people looking as ragged as they do in Berlin’s sleek sister city of Los Angeles.

When I first moved here you hardly saw homeless people or anyone begging on the subway. Berlin has always had crusties but they were just loveable good natured alcoholics and drug addicts who seemed very mild mannered in their out -of -it -state. Nowadays the crusties are getting more aggressive and manic, and with the housing shortage it seems like things are becoming much more desperate.

This black American busker has the worse singing voice I have ever heard. He belts out his bad choice of pop songs like Ethel Merman or Kate Smith. He gives me a run for the money in the horrid singing arena. Even though I have performed in bands since I was quite young, that doesn´t mean I can sing, stay on pitch or carry a tune. I don´t know this man´s story of how he wound up in Berlin. A lot of Americans come to Germany thinking its an easier market to crack in having a mainstream career in the entertainment industry.

Back in the 1990s a very nice talent manager in Hamburg had seen me perform the piece Intimacy & Tomorrow / Stupidity, Today as part of the Six Sex Weeks Festival, and said that If I could put together a band she could get me booked all throughout Germany doing popular American pop songs. I can barely sing the songs I write for myself, so the prospect of being in a cheesy cover band wasn´t exactly appealing. She looked at me like I was crazy when I told her thank you, but I wasn’t interested.

Its very true that a lot of people become performance artists because within the genre no one expects polished singing or dancing skills. With performance art its about being spontaneous and improvisational. The mainstream entertainment industrial complex may try to co-op elements of performance art but capitalist production demands more stringently rehearsed commercial fare.